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With the rise of digital technology, mainstream publishers became deluged with manuscripts. Today, more and more emerging writers are taking to self-publishing as a way of getting their work out there. Below is one writer’s journey into publishing with the UK Arts Council funded site Youwrite on.  It’s a happy story.

Self-publishing with Youwriteon by guest blogger: Louise Forster

After 11 years I’ve finally cracked it, I’m published. Okay, not in the usual sense with an agent and publisher, but as a self-published writer. I’ll cut to the chase and give you the facts.

I published with YouWriteOn, a UK Arts funded site that anyone can join. Basically it works on a bartering system. You read someone’s work and, at random, someone reads yours. You receive reviews from cold readers who don’t know you. The down side is, sometimes you’ll get a reader who’s not familiar with your genre. Then you need to shrug and say to yourself, what the heck. Of course there are times when a reviewer will say, ‘I wouldn’t normally choose this genre and I almost deleted your piece, but I’m glad I didn’t because I really enjoyed it.’ Check them out at www.youwriteon.com. If the above doesn’t appeal to you, they also offer publishing without peer review at:  www.FeedARead.com

Nearly 2 years ago I paid £58.99 (A$89.77). With this fee I’m published, and printed by Lightning Source, who have Print on Demand (POD) facilities all over the world, including Melbourne (important for me, as I’m in Australia). My book is beautifully presented in paperback, glossy cover, good quality paper and lovely, easy-to-read font. Recently I paid £34.94 for 6 of my books in hard copy; that comes to about A$5.50 per book, and that includes postage!

My book is available on as many online stores you can think of and some you wouldn’t know existed, like www.flipkart.com  in India — I’m waiting for an Indian director to read FINDING VERONICA and love her so much he wants to turn it into a Bollywood movie! (Bring it on.)

INFO BELOW TAKEN FROM THE FeedARead SITE:

• It’s free to set-up your book for sale through FeedARead.com
• You set your own book price and royalty
• Full bookseller distribution service. You can also choose to make your book available via the major online outlets, including Amazon, and for major bookshops to order. The fees for this are as follows:

BOOKSELLER DISTRIBUTION SERVICE
UK Authors: £88
US Authors: $79
Australian Authors: $140
European Authors: E100
All other authors: £88 UK.

FeedARead’s distribution service places your book into the world’s most comprehensive distribution channel. With over 30,000 wholesalers, retailers and booksellers in over 100 countries your book will gain the maximum exposure possible in the market today. This includes your book being available to order through all of the following: Amazon and Barnes & Noble (US); Amazon, WHSmith and Waterstones (UK); Amazon Europe; and TheNile.com (Australia).

My book is also available on Kindle through Amazon. On 18 December I joined Amazon’s new program for Kindle users called Prime. It was a little scary, but looking into it, I discovered that subscribers to Prime pay $78.99 annually. This enables them to borrow 12 books per year from the Prime Kindle list. Why would readers want to go this library route when it actually costs more per book? It saves the reader from making PayPal transactions every time they want a new book. Amazon currently sets aside $500,000/month for distribution to authors. After the 90-day trial period, my book continues with Prime for another 90 days, and so on unless I inform them that I don’t want to continue. Every 90 days, I am given 5 days for promotion, during which your books are available for free, and I can choose the dates — which is most useful if you want to coordinate it with your local book launch and local PR. I had one on the 18th another on the 21st of December.  (Normally, the ebook sells for $2.99; I receive 70% of this. )

Your share of the Kindle Owners’ Lending Library (KOLL) Fund is calculated based on a share of the total number of qualified borrows of all participating KDP titles. For example, if the monthly fund amount is $500,000 and the total qualified borrows of all participating KDP titles is 100,000 in December and if your book was borrowed 1,500 times, you will earn 1.5% of $500,000 (1,500/100,000 = 1.5%); that is, $7,500 in December.

https://kdp.amazon.com/self-publishing/KDPSelect

The sudden rise in sales happened AFTER I joined the KOLL. I believe that, had I not joined Prime, FINDING VERONICA would have been lost among the millions of books available. However to be fair, I have to say that I also began tweeting a few weeks ago as part of my PR program. Whether the suddden rise in my sales was due to twitter or to joining the KOLL, it’s simply too soon to know.

Whatever it is, it seems to be working!

 

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Ah twitter, what a waste of time. It’s got to epitomise the worst of the social media – frivolous, banal, no use to anyone. Certainly not to a struggling writer like yourself.

Think again.

I’ve only been investigating social media for six weeks and twitter for two. What I’ve discovered might amaze you. While it’s true that twitter and Facebook have a lot of rubbish in them, twitter is also doing something else.

It’s broadcasting. In real time — assuming you have a phone that will take the app. I don’t have one at the moment, but after what I’ve seen in the last two weeks, I can see that, as a serious writer, just as I once had to have a computer rather than an electric typewriter, now I’m going to have to buy a phone that will take a twitter application.

For those of you as innocent as I was of twitter and how it works, the basis is this:

On twitter, you choose to Follow certain people. Other people may choose to Follow you. How did these followers find you? They found you on other social media sites. The tweets from the people you are following come up on your screen. Your tweets only appear on the screens of those who are following you.

I currently have 6 followers. Right. So what use could I possibly get out of twitter?

Twitter acts as a broadcaster. A recent survey, whose figures I can’t exactly remember, so puleese don’t quote me, said that 40% of twitter is banality; 30% is self-promotion and the rest is information — which, if you have chosen Who to Follow carefully is information that might be relevant to you. For example, last week, Pier 9, an Australian publishing house in the Murdoch empire, advertised that they were looking for an editor with 2-3 years experience in the trade.

As far as I know, THEY DIDN’T PUT THE AD IN THE NEWSPAPER, THEY PUT IT ON TWITTER.

Agents, publishers, editors are putting stuff out that might be relevant to you. And you can follow them.

Meanwhile, back in the jungle, you can broadcast your own stuff. Wot stuff? Well, recently I had a short story scheduled to be read out on BayFM, the radio station in Byron Bay. It’s not every day I get a story read out on radio, I wanted people to tune in and listen, so I tweeted this to my 6 followers.

You tweeted it to six followers! What possible use could that be to you? I mean to say, 6 people are going to hear about it this way, you’d have been better off texting them. Wrong. Because I was also a member of that powerful social media site Ecademy (the first on the scene in 1998, BTW, compared with Facebook’s 2004) I had been lucky enough to meet Sam Borrett, one of the highflyers there. I became one of his followers, and he graciously become one of mine. When I tweeted to 6 people, he retweeted my message to his followers who number around 5,000. Some of those followers have 20,000 followers.

Are you getting the picture now?

Working on the old six-degrees-of-separation theory, even if you’re not fortunate enough to have a powerful follower at first hand as I had, you can bet your boots that somewhere down the track, one of your followers’ followers has. If you’re thinking of putting out a book in the future, get onto twitter. When your time comes, you’ll have a following, who also have a following, who also have a following, and that’s how something can become viral.

Let’s suppose you don’t use twitter and you have a book coming out. You go for newspapers and a bit of radio if you’re lucky.

How many people do you think will hear about your book?

[More in a fortnight on the social media scene in general, and why, as a writer, you need to be in it.]

Follow me on twitter: http://twitter.com#!/de_valera

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And now we come to …

ANOTHER WRITER’S JOURNEY or The Writing Game, as far as I’ve got: Chris Shaw

The writing

I was working in the UK as a locum pharmacist (2001-2002) with Rebecca, my newish wife. The idea was to spend some quality time with aging parents (94 and 92), earn some good money and travel around.

It was a stressful time, primarily because of the weekly change of location, staff and corporate rules. However, it was because of this stress that I was stimulated to write newsletters to friends back in OZ. On my return, I combined them and came up with 40,000 words! To someone who writes addresses on postcards in very large print to avoid having to write much text, this came as a ‘Damascus’ moment for me.

Something funny happened in bed one night, involving our three cats and, with Rebecca’s encouragement, I wrote about it. The premise was that, ‘I never let the truth stand in the way of a good story’! Encouraged by the pleasure of the writing process, I wrote twenty- five stories over about four years, which doesn’t sound much, but it was an infinite increase from my one postcard per decade.

I sent these off to Danielle, who encouraged me to ditch seven and self-publish the remaining eighteen, which became, It’s All Relative: stories to shorten your travel time.

The learning curve took off at that point and continues its exponential growth to this day. I’m still learning a craft that will entertain me for the years I have left — who knows, maybe I can increase the smiles on our planet by one or two.

Agents and Publishers

I didn’t even look for an agent or a publisher, (why do those words bring Dan Brown’s Angels and Demons to mind?) The impression I get from all the talk around me is that agents and large publishers have enjoyed success in a long, easy market, to the point where they have become very selective and picky. It reminds me of the stockbroking market, where those in the know prosper, and there are very few surprises.

However, e-books may well be their Global Financial Crisis! This whole book market is in a state of revolution, and since my Rebecca has bought an iPad, I get a better picture of where the trend is taking authors. The jury remains out and vacillating, however.

I decided to self-publish.

Self-publishing

I had a series of three editors who gave the general impression they would have preferred cutting the complete works of Shakespeare into its component letters, rather than editing my little tome. However, I found an enthusiastic printer who produced 200 copies for me. I now have about 5 left.

The marketing was a challenge, although I thought I knew something about that through my work in small business. The money I threw at the project was what they call in the property business, ‘overcapitalising’!

The book cover was professionally designed, and I was very happy with it. The same logo was on 5,000 bookmarks, a big banner for signings, and on the back window of my 4WD. Then I got really creative and paid a professional actor to read the book to a professional sound engineer who put it on two CDs. He had a contact in Brisbane that ‘did’ me 500, in cases with a slick or printed insert in each, and had the CDs themselves printed. All very gung ho and swisho!

During the self-publishing process, understanding the language of the various agencies involved, with ISBNs, CIPs, galleys, colour bleeding and so on became an exciting learning curve too. You have to be tough and committed to search for, learn and incorporate all this stuff! (J. K. Rowling’s mega-success in the face of extraordinary odds may well be the ‘carrot’ for many of us!)

Marketing and Promotion

My book launch taught me a valuable lesson, namely: ‘Go and get some professional help at public speaking’. Fifty years of ducking and diving to avoid getting up on my hind legs in front of more than two people had given me a sense of false security. My launch in a hired hall had booze and nibbles, a PA system, and about 80 people — mostly friends who came for the free booze. I sold a handful of books but it was yet another financial failure.  Nice to catch up, though!

I’ve had some signings, put the book/CDs into a couple of bookstores and on my website, but haven’t worked very hard at it, to be honest. My deep-down feeling is that it was an apprenticeship exercise — but hey, I enjoyed it.

Finally, I retired from my profession, and sloughed off the odd fifty hours a week of slavery. So I’ve had some time to myself — what a dead-set luxury that is, after 56 years! I’ve learnt to operate the washing machine, the vacuum cleaner and how to wash up; I now cook about 50% of the meals – duties I take seriously, since Rebecca is still running her library.

I took a 6-week course on Public Speaking and Communication Skills, run by a highly experienced lady with a critical eye, and survived that. I also joined Book Creators Circle, an organisation that caters for ‘a soft landing for anyone with a passion for books’. Their members include writers, editors, publishers, designers, printers and book binders, so there’s no lack of expertise when you need it. Through this medium, I played Master of Ceremonies at the last Book Expo and have led speakers at our monthly gatherings. So my course has paid off handsomely — yes, I know, but not financially!

From May to September 2010, I threw down 100,000 words of a novel that seemed to come from nowhere. I’ve had it looked at, and have been told that while there is romance and war, I would have to pick a genre and stick with it. It will be called My Chocolate Soldier, and I’m struggling with it still. There’s some lovely stuff in it (I hope you understand that), and I’m very pleased with it, but it needs better organisation for a flowing story. I’m attached to it in the same way a mother is attached to a less than pretty child. More learning!

Meanwhile, I carried out a promise to myself to write a book called Hey Guys! Here’s How You get More Nooki! It’s a serious attempt to teach men what women need and want from a relationship, not what men think women want — having been through divorce and depression and the Victoria Cross level of courage to marry again, I think I’m qualified. But wait, there’s more! Being a pharmacist working in community pharmacy for forty years in the exclusive company of women, also gave me an edge. Add to that our second marriage, ‘built’ by Rebecca and I, which has lasted for twenty years with no arguments, and no cross words. THAT is my qualification for this current book!

Conclusions

Looking back through the whole experience, I’d rate Writing 1 out of 10 for difficulty; Agents and Publishing are 4 and 3 respectively, and Marketing, the remaining 2 — and if that doesn’t make 10, I’ll stick to fiction. That’s my take, but every writer’s different.

Whatever else you do, keep writing. Keep entertaining, making laughter and tears, fear and joy, and giving and receiving insights.

And keep smiling!

                                                                                                            Chris Shaw

Chris Shaw

I'm the one in the middle - "See No Evil".

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