How time’s flown. I must have been even more knocked around by my trip to NZ than I realised. My change of computers hasn’t helped either – followed by a change from dial up to Broadband. Dial up was cheap (its great attraction, there aren’t many others) but oh so slow. In the end, even I couldn’t stand it. So here I am, somewhat behind the eight ball, but full of good intentions after my break of over two months.
This week, while I’m finding my feet and getting used to the dizzying speed of Broadband (how can humanity live at this pace?) I’d like to introduce David Ireland, aka Casimir Greenfield, who’s been kind enough to write a guest blog for me on his writing methods.
Over to David.

Having lived a long life, I have a good deal of source material to draw
from. Each day begins at five with a couple of hours writing before the rest
of my world wakes up. We have a very understanding dog.
I always have a number of projects running concurrently and I don’t really
have a problem skipping between crime fiction, young adult fiction,
non-fiction and song writing.
I do plot, but I prefer to let the characters and events unfold themselves
organically, even if that takes me down unexpected paths. I like to think
that my stories have shape, much like an opera or a humble vinyl album.
Beginning, middle and end — with a prologue, coda or false crescendo as the
story requires.
As a radio broadcaster, I value the spoken word, and thus each word of my
writing will have been uttered out loud before the reader sees it. I firmly
believe that much writing can be improved by vocalising before the final
draft is laid down. Dialogue needs to be natural.
I am not a fan of fanciful names, even in my young adult pieces. They can be
quirky, but I will not inflict unpronounceable names upon the poor reader. I
would rather that the ordinary encountered the extraordinary, and I hope that
my work is stronger for that.
An oft asked question: How do I write? Well, I love working digitally, but I
always have a notepad handy to scribble on and a Dictaphone for the car. I
know that if the idea is strong enough one should remember it, no matter
what, but I’m not prepared to take the risk. Everything is saved. I have a
sixty-second backup on the processor. Better saved than sorry.
Dave Ireland or Casimir Greenfield? I use a pen name mainly because my given
name has been around in the literary world for a while. The Australians
already have a David Ireland — they don’t need another. So it’s Casimir
Greenfield who writes the stories, sings the songs. I just take the blame.
I have recently published both my crime novels as ebooks for sale on Amazon,
but these are currently locked down, due to publisher interest. However,
both books can be read for free at the Harper Collins Authonomy site (see links
below).
I am presently completing the novelisation of the screenplay of my Ruby No.
One trilogy, a young adult piece currently under offer. Plus, my recording
career is kicking off again with the release of an album in June 2012 — I
said I had a lot of source material; it goes with a long and varied career …
If this seems like a scattergun approach, it is anything but. Any writer
will tell you that the only way to get anything down on paper is to work at
it. Consistently, each and every day. And if you do, whatever the result is
like, you’ll have a body of work that you may well be able to knock into
shape with some judicious editing. I think it works for me.
Bloodstones and Slow Poison can be found at Authonomy by clicking these
links:
http://www.authonomy.com/books/42590/bloodstones/
http://www.authonomy.com/books/42586/slow-poison/
More information about my work can be found at:
http://www.authonomy.com/writing-community/profile/me/
or at:
http://www.casimirgreenfield.com
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